Entries tagged with “Thomas Wood”.


For the second September in a row, the art gallery at Toby’s Feed Barn is featuring an exhibit by the superb landscape artist Thomas Wood of Nicasio. The show closes Sept. 27.

“My paintings are meditations on nature,” Wood commented last year, and once again all the works on display are landscapes.

 

San Geronimo Valley Road.

 

 

 

 

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Rush Creek near Novato.      Sold for $3,200

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Wood has been represented in dozens of exhibits, the artist’s background is impressive, including the surprising fact that his painting California Hills was on display in the US embassy in Belize from 2005 to 2008, as I’ve noted here before.

 

 

 

Thomas Wood at Toby’s last year. <twoodart.com>

 

 

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Lucas Valley

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Limantour Wetlands

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North Beach in the Point Reyes National Seashore

The public is at least as impressed as I by Woods’ artwork. In the exhibition’s first three or four days, paintings were selling for hundreds and even thousands of dollars.

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Landscape painter Thomas Wood is in the midst of a four-Saturday show at his small studio on the square in Nicasio. The show will wind up from 10 a.m. to 3 p.m. Saturday, May 25, and anyone who hasn’t seen it yet really ought to take a ride to Nicasio.

“My paintings are meditations on nature,” Wood comments, and indeed all the works on display are landscapes (with a bit of the Petaluma River thrown in). Morning, the painting at the upper left, portrays the morning fog in the trees.

 

Wood <twoodart.com> has taken part in more than 150 exhibits. Works by Wood and Point Reyes Station photographer Art Rogers were shown together at West Marin galleries in 2008 and 2009. Last year he held a well-received show in Toby’s Feed Barn Gallery and sold a number of paintings.

 

 

 

 

 

 

 

 

 

 

 

 Petaluma River in downtown Petaluma.

Redwoods.

The marsh at Schooner Bay.

Nicasio Reservoir changing hues. On our way home from Wood’s exhibit, my wife Lynn Axelrod Mitchell, and I stopped beside Nicasio Reservoir to try to figure out what is making a cove look light blue. It couldn’t be art. Could it be chemistry? (Lynn, by the way, shot all the photos in this posting on her Iphone because the battery in my Nikon was dead.) The shoreline at left is lined with foam, so I called Marin Municipal Water District, which owns the reservoir, to find out if it knew of anything dangerous in the water.

Update: I got a call back Tuesday morning and was told what looks light blue is probably some form of algae, which also occurs at Bon Tempe Reservoir. District staff, however, took water samples to confirm that the reservoir was safe.

 

 

A month-long exhibit of paintings by Nicasio artist Thomas Wood opened Saturday at Toby’s Feed Barn Gallery in Point Reyes Station and drew an enthusiastic throng of art lovers.

Wood has been represented in dozens of exhibits, and a review of a show 10 years ago can be seen by clicking here. That review also describes the artist’s impressive background, including the surprising fact that his painting California Hills was on display in the US embassy in Belize from 2005 to 2008.

Thomas Wood with his 36-by-50-inch painting Point Reyes National Seashore, which during the exhibit sold for $3,600.

Audubon Marsh.

Masked (except while sipping wine) a number of folks were particularly fond of this group of paintings.

Inverness’ Chicken Ranch Beach.

Redwoods, Morning. (While the fog is still clearing.)

Black Mountain from Inverness Ridge sold for $1,600. Sales in general were good, and the artist was pleased with the results.

Marin Agricultural Land Trust held its annual art show in Nicasio’s Druid Hall this past weekend. What a crowd! The landscapes on display were reminders of the beauty and tranquility now being protected forever by MALT conservation easements.

The popular art show is one of MALT’s sources of income, and local artists share part of the selling price to take part. For MALT’s explanation of what it does, click here.

Shep and Bugeyes, Barinaga Ranch.  By Christin Coy

Hidden Tomales.  By Jeanette LaGrue

Nicasio Druid Hall was packed with folks checking out the 18th annual Ranches and Rolling Hills Landscape Art Show and Sale.

Wood sculptor Bruce Mitchell with three of his impressive works made from eucalyptus: Fossil Fish No. 1 (middle), No. 3 (on top), and No. 4 (on the bottom). Fossil Fish No. 2 was across the room on a different wall.

Nicasio artist Thomas Wood lives on the town square only a few doors from the Druid Hall where these paintings by him were on display.

A guest talks with artist Robert Steele. This was his second year to be admitted in the selective show.

This was artist Ane Carla Rovetta’s 17th MALT show. She lived in Point Reyes Station for 27 years, she said, until the cost of housing convinced her to get a small home in Petaluma.

Miriam and Mark Pasternak of Devil’s Gulch Ranch in Nicasio sold packages of ground coffee.

Barns Above Drakes Beach.  Michael Drury

Entertaining guests on a deck outside the main hall was William Mitchell, one of the artists in the show. _________________________________________________________________

California Vineyard, Hills.  Millicent Tompkins

 

 

 

 

 

 

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I suggest you mark on your summer calendar four first-rate shows featuring people I know and admire. The venues will take you from Olema (or SFO) to Nicasio to Marshall to Cazadero.

Cow Crossing Spaletta Ranch. (Photo ©Art Rogers)

Point Reyes Station photographer Art Rogers held a well-attended opening reception Saturday in the Red Barn at Point Reyes National Seashore headquarters for an exhibition titled West Marin Views.

“For more than 150 years, photographic images have told the story of the American West and an era when life was simpler,” Art wrote in announcing the show. “They highlighted the beauty and tranquility of the western frontier and captured the intimate relationship of humanity with the land and animals. But it is not just a cultural memory, it is our American identity.

“I have lived and worked in West Marin as town photographer for over 43 years. These photographs are selections from this retrospect, of places that are beautiful, tranquil, dynamic, and that connect you to humanity, the land, and animals.”

Photographer Art Rogers with Stinson Beach gallery owner Claudia Chapline.

 

Since 1975, Art has provided The Point Reyes Light with weekly Point Reyes Family Album portraits of families, children and babies, large groups, rural scenes, and landscapes of West Marin. He is a recipient of a Guggenheim fellowship and has also received fellowships from the National Endowment for the Arts and the Marin Arts Council, as well as the Society for the Encouragement of Contemporary Art award from the San Francisco Museum of Modern Art.

His background includes stints as a baby photographer, a photojournalist and as a teacher at the San Francisco Art Institute and Indian Valley College. His photographs are included among the collections of the San Francisco Museum of Modern Art; the International Center of Photography, New York; the Center for Creative Photography Archive, Tucson; Le Musée de l’Elysee, Switzerland; and the de Young Museum, San Francisco.

He has produced a series titled Yesterday and Today, in which the same subjects have been photographed in the same place after a time span of as much as 30 years. His portraits have documented the agricultural community on the North Coast for more than 35 years.

Art’s exhibit in the park can be seen, by appointment only,  through Aug. 5. People wishing to make an appointment need to contact Annalisa Price at 663-1200 (email bookstore@ptreyes.org) or Carola DeRooy at 464-5125 (email carola_derooy@nps.gov).

 

Ranch Dogs at Sunset, Tomales, 2006

Those who don’t want to go to the trouble of getting reservations for Art’s exhibit at park headquarters can drop by the San Francisco International Airport museum where he has a separate exhibit titled The Rustic Landscape showing until the end of August. The museum is in Terminal 3, Level 2. _____________________________________________________________________________________

Art by the Bay Weekend Gallery is featuring works by Chuck Eckart of Point Reyes Station on weekends through July 27.

Also on display will be art by Nancy Stein, Jude Vasconcellos and Denis Bold.

Lynn and I were there when the exhibition was unveiled Saturday. The opening reception, however, will be held from 1 to 5 p.m. Sunday, June 22.

The gallery, which is located across Highway 1 from Tony’s Seafood restaurant is open from noon to 5 p.m Saturdays and Sundays.

This abstract painting is from Chuck’s Ground Cover series, which is rarely shown in West Marin.

“The Ground Cover paintings are abstractions and inventions taken from the natural environment surrounding Point Reyes and Alice’s garden,” according to a gallery announcement. (Chuck’s wife is named Alice.)

San Francisco Chronicle art critic Kenneth Baker has written that “Eckart (left) locates, or brings into being a focal plane where we can dwell on the pleasure of seeing paint regain the materiality it sacrifices to subject matter in most figuration.

“On the same plane we experience what anyone who knows painting will recognize as real expertise.”

Chuck himself adds, “Seeing paint, especially very thick, heavy paint being moved around by various tools I find very attractive to the eye.

“As the layers build up, the richer the visual experience becomes.

“It is my chief aim to attract the eye of the viewer and hold it as long as possible. It gets the viewer to see how the picture is made.

“Very seldom does this happen when viewing realist art.”

In addition, Chuck will exhibit a hand-produced book, Midnight Ride, which consists of 30 etchings that were created as Christmas cards during the past 50 years.

This etching is titled Artist’s Reflection.

 

 

 

 

 

 

 

 

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Apparition, one of Nancy Stein’s pastels, is also on display at Art By The Bay Weekend Gallery. ____________________________________________________________________________________

Oil Slick Sky by photographer Jude Vasconcellos is part of the exhibit at Art By The Bay Weekend Gallery.

 

 

 

 

 

 

 

 

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Nicasio artist Thomas Wood will hold an opening reception from 1 to 4 p.m. Saturday, June 28, and from 1 to 4 p.m. Sunday, June 29, for an exhibition titled The Cliffs of Point Reyes. A closing reception will be held from 1 to 4 p.m. Saturday, July 5. His studio, Thomas Wood Fine Art, is located on Nicasio Square.

Cliffs at Drakes Bay

“To me,” writes Thomas, “the most striking features of the Point Reyes Peninsula are the cliffs above the shoreline of Drakes Bay, where the grassy pastoral hills terminate in sheer facades, their siltstone-sandstone geology revealed by the eternally sculpting wind and weather.

“In this series, I explore the cliffs’ shapes, textures, colors, lights and shadows, from different viewpoints, as they stand sentinel over the beach and surf.

“The work was largely completed on location. I like to paint directly from nature because, if successful, I achieve a freshness and immediacy obtained no other way.” ____________________________________________________________________________________

“Shakespeare in Cazadero? Mooo!” jokes Cazsonoma Inn owner Richard Mitchell (above), mimicking radio’s old commercial for Berkeley Farms milk. “No one believed there’d be ‘farms in Berkeley’ either.” The inn’s pond and waterfall can be seen out the window.

The stately old redwoods around Cazsonoma Inn will be hosts this summer to the Bard’s great comedy, A Midsummer Night’s Dream.

“With Stanford cheerleaders and Berkeley scholars chasing each other over the streams and through the woods, into romantic bliss we go,” Richard writes.

“And no one knows the way like lovable, ‘puckish’ Kate Kennedy. Kate has been directing Shakespeare in and out of Sonoma’s vineyards for 35 years, and has assembled the Avalon Players, a talented troop of local actors to relive the ‘dream’ performed 400 years ago.

“Lush sets by Ross Heil, wacky costumes by FIDM’s Renée Brimm Mitchell, produced by Pezzo Unico Productions with Castles and Concerts, featuring ‘the magic flute’ of Matt Eakle, and sponsored by Boheme Wines, Flowers Winery, Paul Mathew Vineyards, Wild Hog Vineyards, “Estero Gold” cheese, Santa Fe Sausage Company, and River Road Olive Oil. The entire illusion portends to be a night to remember.”

The audience will move between the sculpture garden in front of the inn and the waterfall beside it for different acts.

Tickets and reservations at CazSonoma Inn are available at 707 632-5255 for June 25, 26, and 27 performances (5:30 p.m. sharp). A Saturday, June 28, matinee is already sold out. Along with the performances, the $75 tickets include hors d’oeuvres and wine before the show plus a four-course dinner afterward.

Landscape painter Thomas Wood held a two-day show in his Nicasio studio last weekend. Although many of us are familiar with his art, the chance to see so much of it displayed together in his small studio was a special treat.

The artist with (left to right at bottom) Rock Creek Canyon, Eastern Sierra and Eastern Sierra, September. Above them is a painting of Limantour Estero.

Wood has taken part in more than 65 group shows and more than 45 solo shows. Works by Wood and Point Reyes Station photographer Art Rogers were shown together at West Marin galleries in 2008 and 2009. A year ago he held a one-man show in Toby’s Feed Barn Gallery, and every year he takes part in the Ranches and Rolling Hills art show that benefits the Marin Agricultural Land Trust.

Other shows have benefited Marin Conservation League, the Gulf of the Farallones Marine Sanctuary. From 1998 to 2003, his 20-foot triptych Tomales Bay was on display in the Point Reyes Station Library. In 2000, one of his paintings was selected for the State Senate Art Collection. But in what may be his most unexpected recognition, from 2005 to 2008 his painting California Hills was on display at the US embassy in the Central American country of Belize.

At left: Okanagan Lake, B.C. (top) and Port of Olympia, WA (bottom).

Wood’s only painting on display that did not depict a landscape was the maritime painting at lower left, and even it was tranquil as a landscape, certainly not the Wreck of the Hesperus. (By the way, although many people think Wreck of the Hesperus was a painting, it was originally a poem by Henry Wadsworth Longfellow.)

“Born in San Francisco, Wood spent childhood summers at the family ranch (settled by his great-grandfather in the 1870s) in the Carmel Valley, where he painted the golden hills and brushy canyons in the California light, beginning his lifelong love of painting and reverence for nature,” his website notes.

“He attended the University of California at Berkeley and San Francisco State University, earning an advance degree in English. He taught writing and literature in New York and California before deciding in the 1980s to pursue a professional career as an artist.”

A third-generation artist, “he is the son of artists Mireille and Phil Wood and the grandson of the California plein air painter and muralist Gottardo Piazzoni,” the website adds.

Although Wood’s paintings were priced at $800 and up, they were selling well last weekend despite the current recession. “My work invites contemplation of nature’s truths, beauty, and relevance to our lives,” said Wood, and obviously a number of West Marin’s art collectors agreed.